“Meditations in A Fractured Archipelago” by Alyza Taguilaso

Alyza Taguilaso is a resident doctor training in General Surgery from the Philippines. Her work is a finalist for the Rhysling Award. Her poems have also been shortlisted for contests like the Manchester Poetry Prize and Bridport Poetry Prize, and have been published in several publications, including Electric Literature, Crazy Horse, The Deadlands, Canthius, Fantasy Magazine, Strange Horizons, Orbis Journal, Voice and Verse, and Luna Journal PH, among others. You may find her online via WordPress @alyzataguilastorm, Instagram @ventral, and Twitter @lalalalalalyza

Author Foreword:

I wrote “Meditations in A Fractured Archipelago” sometime during the pandemic, lamenting the plight of medical professionals like myself who not only deal with the brunt of human suffering as we see in our patients, but also are plagued by burnout, and - specifically for a third-world nation like The Philippines -  fake news and environmental degradation. I wrote this for people who continue to try to live despite unlivable conditions. 


Today I receive boxes of things I have no time

to pick up myself. Red car jack, garbage

bags, a bucket of candy, a book of a friend

living halfway across the Pacific. At work, we get patients

who are shot, one tried to hang herself with a red ribbon

used to wrap a box of cake. Some get better, others don’t make it 

past a few hours. Once, someone was brought in

pulseless after being suffocated

under heaps of flour. We are sorry 

for your loss is usually cut short

by someone’s sobbing. Spouse, mother, sister, son, 

friend. A few years ago, I thought the world ended

and I wouldn’t have to think of people and their patterns and

how exhausted this world makes me. Muscle, bone, sinew, vessel, 

nerve. Scrub, scalpel, incise, rinse, repeat. Don’t forget

to take your home medications. Here I stand, awake 

at 6 am, stretching my limbs as the earth remains 

dry and parched under our feet. Bones sandwiched 

between soil, rock, and oil. What treasures do these unnamed graves hold?

What calamities and plagues had they witnessed before their souls fossilized

with regret? In my country, when it rains, cities flood. We thrive

on monuments of mud and weeping. Mountain ranges

scalped bare by industry. Diwatas driven away

by drought. Profit for whose greater good? Greed grows

its exit wounds on almost all corners of this nation. Once I read

how a healed femur was the first sign of civilization; community.

But even that turned out to be fake news, manufactured 

and spread by people desperate to get high on hope at the height

of the pandemic. Here is a broken bone. If you stop moving,

it might heal. Otherwise, it remains 

fractured like the earth. Speaking 

in tremors and quakes. Refusing 

to answer to all names

we utter to appease it.

Human Rights Art Festival

Tom Block is a playwright, author of five books, 20-year visual artist and producer of the International Human Rights Art Festival. His plays have been developed and produced at such venues as the Ensemble Studio Theater, HERE Arts Center, Dixon Place, Theater for the New City, IRT Theater, Theater at the 14th Street Y, Athena Theatre Company, Theater Row, A.R.T.-NY and many others.  He was the founding producer of the International Human Rights Art Festival (Dixon Place, NY, 2017), the Amnesty International Human Rights Art Festival (2010) and a Research Fellow at DePaul University (2010). He has spoken about his ideas throughout the United States, Canada, Europe, Turkey and the Middle East. For more information about his work, visit www.tomblock.com.

http://ihraf.org
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“Inverted Triangle Body” by Arina Alam