“Headless” by Nwuguru Chidiebere Sullivan
Nwuguru Chidiebere Sullivan (he/him/his) is a speculative writer of Izzi, Abakaliki ancestry; a finalist for the SPFA Rhysling Award, a nominee for the Forward Prize, and a data science enthusiast. He was the winner of the 2021 Write About Now’s Cookout Literary Prize. He is published in Strange Horizon, Nightmare Mag, Augur Mag, Filednotes Journal, Kernel Magazine, Mizna, and elsewhere.
Twitter: @wordpottersul1
Author Foreword:
The poems were hugely inspired by the current happenings in Nigeria where the citizens are at the mercy of different terrorist groups. Even when the citizens tried changing the narratives through the power of their votes, their wills were thwarted by the government that is supposed to uphold and respect their democratic choice.
Headless
(after Natalie Diaz)
“Nigeria will prosecute anyone found to have breached
the country's ban on the social media firm, Twitter.”
—BBC
June 5th, 2021
Have we not come near enough like hair,
like blood, like sweat to the six decades
of this skin? Wasn't enough ball of sun lost
to the gluttony of this land brimming with
yawning graves? Have we forgotten how the
limbs of a man are quadrupled to a god exercising
his powers from the four cardinal points? Here,
all we know is how the zings of bullets eat
a chimney into what is wet & fleshy, so that
it may have enough proteins to ease off
the wrestling rain from every tired cloud.
The bullets here, measure the depth of one's
flesh by swimming through the dirt of blood
& still, come out clean & bare like a pure
conscience. My Twitter is scared to warm-boot,
says the government laid a cold ban on it & I'm
full-throated with grief for myself who came out
of a bright syntax to morph a phrase into a sentence,
forgetting that every word is a conglomerate of
letters which once knew independence. A country
is a bordered sentence— it doesn't permit winging,
it abhors flight, which is why it forces the stony
hands of each day down our throats as templates
of laws, which is why it takes our head first,
leaving us to live the rest of our lives headless—
hopeless. O ample— O bold— O blunt & blue,
how come my shine ages as it
passes through you?